“strikingly good” 

- the guardian


“Singing in fluent bel canto as well as jazz styles, Stewart’s Parker was an ardent lover who reserved his greatest passion for music.”
— Operawire
“Joshua Stewart was strikingly good.”
— The Guardian
“L’Américain Joshua Stewart (Belmonte) chante avec expressivité.”
— Les Temps
“Joshua Stewart (Octavius) showed excellent line and diction.”
— Opera News
“[...] eine tolle Stimme. Ebenso der Tenor Joshua Stewart — der technisch so souverän ist, dass er sich mit farbenreichem Timbre und mutiger Dynamik durch das Gefühlsleben der Figuren singt.”
— Süddeutsche Zeitung
“Tenor Joshua Stewart, who plays Parker, is a captivating actor. His warm voice rings out clear as crystal.”
— Isthmus
“In zijn rol als herder wist Joshua Stewart met zijn zuivere tenorstem kort maar krachtig de aandacht op te eisen.”
— Place de l'Opera


Recent appearances include Beethoven’s 9. Sinfonie with the City of Birmingham Symphony Orchestra under the direction of Sir Simon Rattle; Zinovy in Shostakovich’s Lady Macbeth of Mstensk and Lazarus in the world premiere of Giorgio Battistelli’s Wake at the Birmingham Opera Company, directed by Sir Graham Vick; his debut with the Los Angeles Philharmonic in the role of the Narrator in Schumann’s Das Paradies und die Peri under the directional team of Gustavo Dudamel and Peter Sellars; Antenore in Zelmira with Gianluigi Gelmetti and Le nozze di Teti e di Peleo at the Belcanto Opera Festival „Rossini in Wildbad“. Upcoming performances include his debut at Seattle Opera in Charlie Parker’s Yardbird and a European tour of Tippett’s A Child of Our Time with the City of Birmingham Symphony Orchestra under the direction of Mirga Gražinytė-Tyla.

Recent debuts include the title role in Charlie Parker’s Yardbird with the Atlanta Opera, Arizona Opera and Madison Opera, tenor soloist in Tippett’s A Child of Our Time with the RTVE Symphony Orchestra in Madrid, Trin in La Fanciulla del West at the Hamburg State Opera, Belmonte in Die Entführung aus dem Serail with Opera de Lausanne and Opera de Fribourg, Don Ottavio in Don Giovanni with Toledo Opera, Arturo in Lucia di Lammermoor with Opera Carolina, Abdallo in Nabucco at the Oberammergau Passionstheater, as the tenor soloist in Carmina Burana with the Toledo Symphony, and as the Erzengel in Das Spiel von der Auferstehung des Herrn by Walter Braunfels with the Muenchner Rundfunkorchester. He also performed the Shepherd in Stravinsky’s Oedipus Rex at the Baltic Sea Festival in Stockholm, Festival d’Aix-en-Provence and at the Royal Festival Hall in London under the musical direction of Esa-Pekka Salonen and directed by Peter Sellars. 

Joshua Stewart is a graduate of the Curtis Institute of Music in Philadelphia and prizewinner in the 2013 International Voice Competition „Vokal genial“ and is a former member of the studio of Munich’s Bavarian State Opera, where he made his debut in 2012. He has performed in numerous festivals, received several awards, and worked with renowned conductors throughout the world, as well as having the honor of performing for several world leaders, including King Carl XVI Gustaf and Queen Silvia of Sweden, the Honorable George H. W. Bush, the Honorable William J. Clinton, and the Honorable Barack H. Obama.


Joshua Stewart has been singing since before he could speak and has become one of the most versatile vocalist of our time. Having been born and raised in New Orleans, Louisiana, music is in his blood.

In 2017, he will rejoin the award-winning Bourbon Street Stompers Brass Band in Spain after releasing a live concert DVD “Live from the Auditorio de Teulada-Moraira” in 2014. 

Joshua Stewart began his career with Dejean’s Olympia Brass Band, performing at all the major festivals in New Orleans. At the age of 12, Joshua release a solo album, entitled “New Orleans Jazz Prodigy”, which was produced by legendary trumpeter Milton Batiste. He then attended the prestigious New Orleans Center for Creative Arts (NOCCA), joining their list of distinguished alumni: Wynton Marsalis, Harry Connick, Jr., Terence Blanchard, Christian Scott, Troy “Trombone Shorty” Andrews, and Jonathan Batiste. While in New Orleans, his teachers and mentors included Milton Batiste, Kidd Jordan, Clyde Kerr, Jr., Alvin Batiste, Donald Harrison Jr., and Wynton Marsalis.

After graduating from NOCCA, Joshua attended the world-renowned Curtis Institute of Music in Philadelphia, Pennsylvania, receiving both his bachelors and masters there. While at the Curtis Institute, he performed over 35 operatic roles becoming known for his ability to conquer demanding modern music.

He is classically trained and brings that beauty and elegance into his jazz performances. He has performed in numerous venues throughout the world, including Denmark, Sweden, Germany, Spain, France, Italy, Croatia, Greece, Turkey, Ireland, the United Kingdom, Poland, the Caribbean and the United States.


in the press…


Jazzy "Charlie Parker's Yardbird" closes out Arizona Opera's inaugural Red Series

“The best thing about jazz is that improvisational feeling that we can always achieve through constantly being in the moment. You’re not thinking, ‘Oh the last time I did this so I have to do that again.’

“It’s all in the moment. Who am I right now in this moment?”

“Charlie Parker’s Yardbird” is 90 minutes long, and Stewart is on stage for all but three minutes of it.


Troubled jazz genius Charlie Parker gets the operatic treatment in 'Yardbird'

“People worship this man to this day,” said Joshua Stewart, “He changed an entire art form, and that art form ... is the ‘mother chord’ of so many others.”


Ten Questions with Joshua Stewart

1.  Where were you born / raised? 
I was born and raised in New Orleans, Louisiana.

2.  If you weren't a singer, what profession would you be in?


New opera looks at life and death of a jazz great

“Charlie Parker’s Yardbird” is an opera infused with jazz references. In other words, a perfect vehicle for tenor Joshua Stewart.


Joshua Stewart: Nur das Bier mag er nicht so

München - Vom Jazz zur Klassik ans Münchner Nationaltheater: Joshua Stewart ließ sich von „Salome“ zur Oper verführen.






Please use the form below for direct contact. All professional inquires can be directed to the agency.

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Opern- und Konzertagentur Therese Renick


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Tel: +49 2369 208 4366
Fax: +49 2369 208 4367